主演：余倩雯 有岛一郎 赵毅维 富樫美铃 刘秋实 乔·鲁宾逊 莱格·帕克
导演：大谷康之
类型：谍战,言情,动作 地区：印度 年份：2018
简介：我不确定。吴昊说，隔着车窗，那辆车(chē )一闪(shǎn )而过，我只觉(💖)得开车的人确实很像他This erratically fashioned melodrama begins, with its very opening sequence, as an excessively fabricated version of the actual murder, 16 October, 1975, in (at the time, Portuguese) Timor, of five Australian television reporters, a deed committed by uniformed criminals from an Indonesian Army task force which guaranteed by this barbaric action that an invasion by Indonesia into Timor could not receive media coverage. These victims, customarily referred to as the Balibo Five, after the village wherein they were slain, are termed as the Timor Five for this film that adds as well a fictitious pair of brothers named Wild who, in dubious fashion, evaded being massacred with the others, subsequently somehow making their way back to the Antipodes, whereupon the ensuing behaviour of the brothers, four years after, is seen here. The older of the brothers, Adam Wild (Chard Hayward) makes an unforeseen appearance at Taihape, on New Zealand's North Island (where a good deal of the film was shot), therewith attempting to convince younger brother Kevin (Ivor Kants) toward reappearing with him to the employment field of broadcast journalism, obviously believing that his seniority gives him a vested advantage for sibling decision-making. However, a betrothed Kevin, wordsmith of the duo, Adam being a photographer, favours a less lively existence in Taihape over returning into the realm of manipulative media. The greatest portion of the film dodges about the Balibo Five tragedy, focussing instead upon Adam's amourous experiences, initially with Lani, a Taihape Maori harlot (Margaret Laurence {misspelled as "Lawrence" upon the VHS case), and later with Alison, a much more refined, but no less romantically inclined young woman (Jennifer Cluff). Since Adam's mere presence manifestly stokes libidinous fires within these two, the multi-drama's moments of paramount interest for many viewers will be generated by lustful actions of these three, because Kevin is shunted off-story as are the exterminated quintet of newsmen. Originally named HOUNDS OF WAR, the film is shot in the Philippines (performing as Timor), Sydney and other parts of New South Wales in Australia, as well as Taihape, but the locational shifts fails to add interest for a storyline that is deficient at giving dimension to its characters or in providing clear motivation for their actions. As result, the narrative miscarries, viewers not being given a solid impression of what eventually may occur to anyone within the plot. One notable aspect of the picture involves the sustaining of numerous beatings by Adam Wild, rivalling in number and savagery those given to numerous American private detectives in noirish works of the 1940s and 1950s. Treatment of relationships between Whites and Maoris in New Zealand is perfunctory and not developed at all, as might be expected from a film wherein a sense of reality has been removed, but not replaced with any significant activity. The players work hard at creating their roles, but lack adequate support from the direction, script and editing.知书：而且瞧着那些人还真知道配方(fāng )的事情(➕)，只是(shì )小(🚯)的听着这些人(rén )口音怕是南方来的，刚到京城没多(🎄)久本想着开一家香皂铺子(🛴)，却发(🤡)现自家的配方被人盗用，一时气急了就(jiù )闹起来了。老王看(🛢)着急急忙忙离开的人，有(🍽)些丈二和尚摸不着头脑，摇了摇头，还是把自己分内的事情做好，才(cái )是最重要的。韩(hán )雪心里(lǐ(〽) )那个(gè )声音(🏾)，并没有消失，甚至比昨天还要强(👉)烈。千星翻着白眼，瞪了申望津一眼，又瞪了她一眼，说：能看不见吗？大半夜的扰人清梦，也不知道是(shì )什么人！这个季节哪里有什么好(hǎo )割的(de )草(cǎo )？而且这大(🔷)晚上的！去哪(🕜)里割草？大湖会这样(🗡)，都是你们的错！周氏愤怒的说(🧝)道。小心点，别跌倒了。沈宴州大步(bù )跑过来，姜晚最后一脚陷进湿软的沙子里，身体惯性前倾，刚好跌进他怀里。他抱得紧紧的，小声责怪：(😪)都说了，小心点。脚(🗿)崴着没？张宝(✋)根气得直磨牙！半两银子呢！也就是五(wǔ )百个铜板！吃混沌都能吃到(🔄)(dào )吐了！